{"id":136,"date":"2016-04-18T15:46:49","date_gmt":"2016-04-18T14:46:49","guid":{"rendered":"https:\/\/www.orgue-en-france.org\/?page_id=136"},"modified":"2024-02-15T10:07:56","modified_gmt":"2024-02-15T09:07:56","slug":"documents","status":"publish","type":"page","link":"https:\/\/www.orgue-en-france.org\/la-musique\/documents\/","title":{"rendered":"Documents"},"content":{"rendered":"<p><a href=\"https:\/\/www.orgue-en-france.org\/?page_id=11844&amp;preview=true\">Remarques sur le toucher et le caract\u00e8re des pi\u00e8ces d&rsquo;orgue dans la musique fran\u00e7aise classique <\/a> <em> \u2014 par Pascal Marsault <\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/la-musique\/documents\/la-symbolique-des-nombres-dans-loeuvre-de-bach\/\">La symbolique des nombres dans l&rsquo;\u0153uvre de Bach <\/a> <em> \u2014 par Esther Assuied <\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/la-musique\/documents\/la-tierce-en-taille-de-grigny-info-ou-intox\/\">La Tierce en taille de Grigny : info ou intox ? <\/a> <em> \u2014 par Olivier Latry <\/em><\/p>\n<p><a href=\"caracteristiques-danses\/\">Caract\u00e9ristiques des danses aux XVII<sup>e<\/sup> et XVIII<sup>e<\/sup> si\u00e8cles<\/a> \u2014 <em>par Olivier Latry<\/em><\/p>\n<p><a href=\"tables-registrations-musique-francaise\/\">Tables de registrations pour la musique d&rsquo;orgue en France du XVI<sup>e<\/sup> au XIX<sup>e<\/sup> si\u00e8cle<\/a>\u00a0\u2014 <em>par Roland Lopes<\/em><\/p>\n<p><a href=\"livres-orgue-france\/\">Principaux livres d&rsquo;orgue en France aux XVII<sup>e<\/sup> et XVIII<sup>e<\/sup> si\u00e8cles<\/a>\u00a0\u2014 <em>par Olivier Latry<\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/kine-musiciens-livre-musicien-sportif-de-haut-niveau-coralie-cousin-kinesitherapeute\/\"> Le Musicien, un sportif de haut niveau \u00bb <\/a>\u00a0\u2014 <em>par Coralie Cousin, kin\u00e9sith\u00e9rapeute<\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/catalogue-commente-repertoire-francais-violoncelle-orgue-de-1900-a-nos-jours-thibaut-reznicek\/\">Catalogue comment\u00e9 du r\u00e9pertoire fran\u00e7ais pour violoncelle et orgue de 1900 \u00e0 nos jours.<\/a> : <em> par Thibaut Reznicek<\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/creation-petit-livre-dorgue-a-loccasion-500e-anniversaire-de-reforme\/\">\u00ab Petit livre d\u2019Orgue \u00bb \u00e0 l\u2019occasion du 500\u00e8 anniversaire de la R\u00e9forme.<\/a> : <em> F\u00e9d\u00e9ration Musique et Chant de la R\u00e9forme<\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/?p=6936&amp;preview=true\">Musique et Yoga.<\/a> : <em> par Jean-Louis Sapey-Triomphe<\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/la-musique\/documents\/guide-de-la-musique-ancienne-iberique\/\">Guide de la musique ancienne iberique<\/a> : <em> par Teresa Hern\u00e1ndez S\u00e1nchez<\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/wp-content\/uploads\/2023\/11\/Musique-francaise-Doigtes-Latry.pdf\">Doigt\u00e9s en France de 1665 \u2013 1750<\/a> : <em> par Olivier Latry<\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/wp-content\/uploads\/2023\/12\/COUPERIN-PhdL-publie.pdf\">Au temps de Fran\u00e7ois Couperin<\/a> : <em> par Philippe de Lagune<\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/wp-content\/uploads\/2023\/12\/Les-alterations-dans-le-Point-dOrgue-sur-les-GJ-de-Grigny.pdf\"> La question du Point d\u2019Orgue sur les Grands Jeux de N. de Grigny<\/a> : <em>par Quentin du Verdier <\/em><\/p>\n<p><a href=\"https:\/\/www.orgue-en-france.org\/wp-content\/uploads\/2023\/12\/Registrer-les-orgues-de-la-Renaissance.pdf\"> Registrer les orgues de la Renaissance <\/a>: <em> par Quentin du Verdier<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Remarques sur le toucher et le caract\u00e8re des pi\u00e8ces d&rsquo;orgue dans la musique fran\u00e7aise classique \u2014 par Pascal Marsault La symbolique des nombres dans l&rsquo;\u0153uvre de Bach \u2014 par Esther Assuied La Tierce en taille de Grigny : info ou intox ? \u2014 par Olivier Latry Caract\u00e9ristiques des danses aux XVIIe et XVIIIe si\u00e8cles \u2014 &hellip; <a href=\"https:\/\/www.orgue-en-france.org\/la-musique\/documents\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Documents&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":12,"menu_order":23,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-136","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - 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